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Richard Middleton
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"The Melody Game Revisited" I thought Id share my Melody Game again, for those of you who missed it a few years ago and want a fun, powerful ear training exercise. The Game is to sing an old, familiar song and figure out how the notes of the song fit into a scale. For example, many songs are in the major scale, which is that classic melody everyone knows, Do, Re, Mi, Fa, So, La, Ti, Do. Sing it a few times and get comfortable with it in your voice. Sing it up and down. Were going to use this scale to sound out simple songs, i.e. to figure out how a song goes in Do, Re, Mi terms. Some people prefer using numbers for the scale instead of syllables because they can more easily tell where they are: Do=1, Re=2, Mi=3, Fa=4, So=5, La=6, Ti=7, and Do=1 again (an octave higher than where you started). In the exercises below, Ill combine the two methods in one shorthand code: D1, R2, M3, F4, S5, L6, T7, D1. This way, you can feel free to use syllables or numbers, whichever you prefer. Lets sing a song we all know: Mary Had a Little Lamb. Sing it several times. All of the notes of this song are in one major scale. One of the notes is D1, i.e. Do or 1, the first note of the scale. Which one do you think it is? Which note sounds like home base for the whole song? HINT: Its not the first note. Yup, its the last note. This is common in older songs because it gives the melody a feeling of completion. D1 is used more than once in Mary. Sing it again and see if you can find it anywhere else. If you decided on the third note of the song, youre right; thats D1, too. OK, so what about the first two notes of the song? Theyre higher than D1, but by how much? Starting on D1, sing up the scale until you get to the first note of the song. What is it? If you identified it as M3, youre right. Now sing the scale again and identify the second note. Can you hear that its lower than the first note (M3) but higher than the third note (D1)? Its R2. So, now we have the first three notes: M3, R2, D1. Continue into the song for a few more notes. Anything sound familiar? The next few notes are the same notes we sang before, but in reverse order. Heres the first five notes of Mary, written as scale tones: M3, R2, D1, R2, M3. Figure out the scale tones for the whole song, and write them down. If you have trouble finding the identity of a note, return to D1 and sing up the scale to find it. Take your time and do your best to sing the scale in tune, so you dont drift off course. Its a slow process at first, but it gets easier as you go. Heres the entire song: M3, R2, D1, R2, M3, M3, M3 / R2, R2, R2 / M3, S5, S5 / M3, R2, D1, R2, M3, M3, M3, M3, R2, R2, M3, R2, D1. How did you do? This is a great way to train your ear to hear the scale patterns that make up songs. Try these songs, too: Frere Jacques; This Old Man; and London Bridge. All of them end on D1, but only one starts on D1. (OK, Ill tell you: its Frere Jacques.) Use the scale as your guide. HINT: You can sing the scale up OR DOWN to find the tone youre looking for. The answers are below. A fun variation on the game is to improvise your own tunes, singing the scale tones. Start with simple sequential patterns: D1, R2, M3 / R2, M3, F4 / M3, F4, S5, etc. Do the same thing backwards, starting on a high D1 and coming down: D1, T7, L6 / T7, L6, S5 / L6, S5, F4, etc. Try skipping around: D1, M3, S5 / R2, F4, L6 / M3, S5, T7, etc. Take your time. As you get more comfortable with it, youll be able to sound out more and more complex tunes. Here are the answers to the
songs above: This Old Man: S5, M3, S5 / S5, M3, S5 / L6, S5, F4, M3, R2, M3, F4 / M3, F4, S5, D1, D1, D1, D1, D1, R2, M3, F4, S5 / S5, R2, R2, F4, M3, R2, D1. London Bridge: S5, L6, S5, F4, M3, F4, S5 / R2, M3, F4 / M3, F4, S5 / S5, L6, S5, F4, M3, F4, S5 / R2, S5, M3, D1. Enjoy! ©
Copyright 2000 by Richard Middleton. |
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